I am not entirely comfortable with the concept of auto-tuning in the music industry to enhance an artists vocal performance. My view tends to be if the can’t sing, they can’t sing and it doesn’t matter how telegenic the performer or how well oiled their promotional machine.
But in the case of the Symphony Of Science series it’s obvious that auto-tuning can be both useful and powerful in the right circumstances:
So, Onward to the Edge!
Via Bad Astronomy.